Also known in the past as T400CN, Portra BW400, and now as Kodak Professional BW400CN (professional my ass, I can find this shit in the local walgreens).
Anyways, it's a monochrome C-41 film that you can get processed at any drugstore minilab. I really think it's a hidden gem in the film world. Ilford made (makes?) a similar film, its name escapes me at the moment (XP2?), but I don't think it gives you as creamy of a texture as the Portra. I'm calling it portra because it's what it was called when I first shot it. to my eye, the emulsions are more or less the same throughout the name changes, so get over it. I've shot every the T400, Portra, and professional versions, so I can testify.
moving on, it's a great film. Lots of dynamic range, though not as good as a silver-halide film developed and printed yourself, and the contrast is right in the middle so you've got the leeway to play with it in post if you have a hybrid A/D workflow like I do. if I didn't have so much neopan, I'd probably be shooting this a lot more. as it stands, I've got 15 rolls of 1600 to burn through, and I don't get out enough at night.
when developed by a lab that knows what they're doing, it looks a lot better than from your drug store minilab. yeah yeah, i know they probably use the same machines to do it, but pro labs definitely take care of theirs better. I'm tellin you, it's worth paying twice the price for a much better negative.
The only downsides to the B&W portra? well, if you're obsessed with Fuji, you're out of luck for an equivalent in their line (maybe acros 100, but that's not C-41. in fact, Acros is a much nicer film, it just doesn't really fall into the same category, and it's cheap at my local lab so i guess I could call it another hidden gem) The fine grain of BW400 is also deceiving—yeah, it's great, but the film itself isn't a high-resolution film. I mean come on, it's sold in drugstores. Think of it as a nice companion to some NPS160 or Portra NC.
sorry. I just don't understand how people say Velvia is so ridiculously oversaturated. i had to ADD saturation/vibrance to this, along with many of my other slides, just to get them to look like the actual scene that i remember through the lens.
Maybe it's the 100. RVP50 seems a bit more saturated, but only marginally. I still have to add saturation/vibrance to most of those shots, and I scan the two films identically.
could it be the scanner? possibly. but a look at the slides reveals that the scanner only has minimal exposure issues, generally erring to overexposure. so that would make colors lighter and appear more vibrant. again, I just don't get it. and i probably never will until i shoot things other than Velvia. but I get Velvia for free every now and again so I'm really not going to make this a final statement until i shoot something else side by side with it. Maybe some Astia or Ektachrome.
I could just remember things in technicolor or something though.
Finally i get to write what I had in mind from the onset of this entire foray into the blagosphere.
- This is really designed for Americans. Everyone else without a Home Depot (the other 90% of the world), you can still do it, but don't expect to find the same parts.
- It's designed around an SB-800. When I say designed, I really mean that it just happens that an SB-800 fits into the opening. If you have, say, a Vivitar 283 or 285, you can't use the gutter piece. You'll have to find something else to fit the bigger flash head. If you have a Canon flash, your head is wider so it might not fit either. I'm brainstorming a fix, which is half- pointless since my beauty dish is already completed. Oh well, Home Depot is like 15 minutes away and if I need to, I'll fix it. Check the comments on David's blog to see what people with other flashes are doing.
- Fasteners: David briefly mentions using them to connect this whole contraption together without mentioning the best ones to use. Go to HD's screws n shit section, and look for green packs of machine screws. You want the pack labeled #4-40 x 1/2". I bought round heads for a slotted screwdriver, and it was 8 little screws with 8 matching nuts. I should have gotten phillips, what was I thinking. Loc-Tite (blue or red, pick your poison) might be a good idea for these, since the nuts are non-locking and a washer this small is pretty impractical. I used super glue. it's not entirely necessary since I dont think that the dish will be seeing a lot of vibration, but better safe than sorry.
- The screws I used may not work for you. There are ridges on the bottom of the CD spindle that I cut off with a dremel to make the whole thing sit more flush. I would recommend doing this unless you go for longer screws. it probably saved about 1/4" in height, maybe a little less.
- The reflecting assembly: the convex mirror I bought was labeled 3.75", David said his was labeled at 3.5". they look the same size to me in relation to the CD. I was going to use an old useless DVD of mine to cover the gap on the top of the CD spindle cover, but I decided against it. My DVD reflected blue , and I didn't want a blue cast to my beauty dish since I would be mostly shooting under flourescent ambient. I opted for a CD, which had a yellow-green reflection. I just felt it would be more neutral, that's all. do what you like. Although, you could get away with a 4-4.5" convex mirror and skip the CD altogether. try to find the most convex one that you can, the object is to get the light reflected out into the dish.
- Someone who posted on David's blog said they made a variable distance mirror assembly. That would be cool, or you could just get it right so that it reflects into the whole dish. I used a 50-cd cover, but due to the non-convexity of the mirror it seems like a bigger cover, like a 75 or 100, would work better. But it also looks stupider. so I went with the 50 and if i need the extra whatever I'll just turn the flash up or put a white tshirt over the dish and have a pseudo-soft box.
- Painting this thing: paint before you cut. You'll thank me later. trying to paint one side white and the other side black with a big gaping hole is just plain stupid and you'll be frustrated every time you flip the bowl over. As diffusion and reflection are the name of the game (seems almost counter-intuitive), you want to paint the inside ultra-matte white. expect some hot-spots or harsh shadows if you use anything below a regular matte or satin. I went with flat white and I'm just hoping it diffuses enough. paint the outside whatever you want, but flat black looks the coolest and will most likely match 100% of your gear.
- make a bracket to connect the beauty dish to the hot shoe/radio trigger/whatever. you can do this if you want to take strain off the flash head and hot shoe. it's best if it's adjustable so that you can fit it to as many of your flashes as possible. I didn't, but probably will eventually.
I'm so fucking pissed. I come back to San Diego expecting Mexican restaurants that I have frequented for the last five years to cook their dishes in the same manner as they have been for the last 5 fucking years.
But no, Roberto's and Las Olas decide to fuck with my shit.
First, Roberto's, since they screwed me first. scrambled eggs in huevos rancheros? really? okay, you guys had to fucking try to screw me on this one. I'm pretty damn good with eggs, just ask Chloe, and I know for a fact it takes more effort to scramble eggs than it does to fry them, cook them sunny side up, over medium, over easy, over hard, whatever.
you crack the fucking egg and watch it fucking sit there. not that hard.
Second, when did you stop putting the eggs on top of the tortillas on top of the beans? did that go out of style or something? cuz i sure as hell missed that fucking memo. Las Olas is guilty of this too. they make their eggs right but goddamn they dropped their fucking balls on the construction.
Second of all, fish tacos. you'd expect in San Diego, hell even north LA, that mexican restaurants would have fish tacos down pat. It's like the greatest and saddest stereotype of all: Mexicans being too lazy to be Mexican. i swear to god i got the worst fish tacos ever this past week. the fish was like a long john silver's reject. McDonald's fish sandwiches avoid this fish. we're talking leper-status fish here. like, fished out of San Elijo Lagoon fish. Fish whose migratory patterns include San Onofre and the LA coast.
I mean goddammit, what is the world coming to when good reputable Mexican places fuck up their mexican food! it's all the fuckin white people who own them! fuck!
At least Rubio's can still make a damn fine fish taco, and that's the third whitest Mexican place ever (behind Del Taco and Taco Bell, of course).
fuck man. fuck. and i heard a rumor Board and Brew is gonna lose their lease. shit. fuck. goddammit.
what the fuck is happening?
stay tuned for strobes. coming soon.
Seriously, I don't get it, what the fuck is with them. They are a bunch of fucking closeted idiots who can't play nice with others. Fuck, i learned that skill in preschool, can 50 year old men not do that? Mostly Fox News is the public face of the party that I can't stand. These people rail on Democrats based on the fact that they are Democrats. Not because they have bad ideas, or different ones, or whatever, it's because they aren't in the GOP and are therefore "evil" "Socialist" "liberals." Oh my god, get the fuck over it. Just cuz you can't hate people based on the color of their skin anymore doesn't mean you should pick another group to hate based on some meaningless criteria. And WHY are you hating on the New York Times? You rip on the editorials for God's sake: people's fucking opinions! Oh, you might not remember this little fact, but Fox and the NYTimes are owned by the same fucking person. It's probably in your best interest that they do well. And stop putting fucking conjecture on your little news ticker. Trying to trick stupid Americans is pretty weak. And why rip on Matt Lauer for his interview with Michael Steele. He was asking fucking journalistic questions, because you know, he is a journalist, and Fox anchors "attack," to use your words, their interviewees, too. It's called being a good reporter. It should be illegal for you to say that you're fair & balanced. FCC, please get on these lying motherfuckers.