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Analog and Digital opinions from photography to politics and everything in between.

24 November 2009

Loss of Wisdom

There's been a lot of talk lately in the 4/3rds groups on flickr about gear and people whining about not having it or whatever. I'm getting really sick of it, to be quite honest, and the fact that it drove away one of the biggest contributors of really any forum I've been a part of sickens me.


It doesn't matter what kind of camera you have. It really doesn't. There are very few highly specialized situations in which it matters what kind of camera you have. Shooting for billboard ads doesn't even really count. Images can be scaled up with genuine fractals almost limitlessly and then vectorized (is that even the right word?), giving you truly unlimited scale potential. So I could theoretically shoot for an ad campaign to be put on the sides of buildings with an 8mp E-500. theoretically, of course. Commercial photography is one of those things that "requires" huge investment with little return. Need a honkin computer to deal with the 150mb RAW files from MF digital backs, need the storage space to hold all those files, the huge CF cards to store them on while you're shooting, etc. You could do it with a D3x or 1Ds, or even a D300 or 50D. Image quality is superb with the right glass on any of those cameras. But everyone does it with a hasselblad, or a mamiya 645AFD with the newest leaf back. Because when clients see you with a big honkin camera, their first thoughts are, "Man, this guy must be good at this." (yes, I know they have resolution several orders of magnitude more, but are we really going to go back to the MP wars??) Speaking of Hassys (Hassies?), they just announced the H4D recently. really? yawn. Call me cynical but I'd rather shoot with a 1DmkIV than the latest hasselblad, and I really despise Canon. I'd take a 501cm over the H4D any day. Actually, no. I lied. I'd take the H4D then sell it. Buy some stock in apple or google. save the rest for other gear. Like the Hasselblad they took to the moon. I don't know why, but I really like that camera.

So I don't really count high end commercial photography as being specialized enough to require a certain camera. Certain software, absolutely. MF a necessity? definitely not. but what about sports photography? maybe. I understand that 10fps will basically insure you don't miss the shot, but I think it's total overkill. any camera with 5+ fps can do it. I've seen it. you don't need a 1D to shoot this stuff. I'd argue that theres really no action happening in 1/10th of a second that you would miss between .1s and .2s, though conceding that depending on the shot you are trying to get there will be action happening there, and the buffers on ~5fps cameras could be and should be designed to practically shoot all day whereas the 10fps cameras should technically, all things being equal, fill the buffers faster. but they don't, because the professional camera market is a total racket in my opinion. Seriously,how hard is it to stick a faster image processor on a circuitboard and for how much (read: little) extra? Canon intentionally neutered the 5DII (ooooh but it shoots video!!) so that it wouldn't cannibalize 1D sales and Nikon doesn't include features like sensor cleaning (seriously, what the fuck man. my 5 year old E-500 has that) on its top cameras.

photojournalism does require one to have a "specific" camera. It needs to be rugged and fast preferably weather-sealed. it also needs to be inexpensive, because PJs are poor as shit for the most part and so are the publications they work for. ideal candidates: K-7, E-3, D300. I'd mention Canon's 40 and 50D here but from what I've heard I really don't think their weather protection is as good as these three. portrait photography? a D90 will suit you just as well as a D3 and cost you a few thousand dollars less. money you can put towards good glass. Underwater photography? forget about it. numerous companies make housings for almost every semi-professional camera ever made, with strobes to match and ports for almost any lens.

before I start sounding like an idiot, which I'm sure I already do, I am going to say that for what YOU do, there is a camera that is best for you. There is no end-all be-all camera and there never will be. figure out what it is that you need, and then go and buy it. need fast telephoto zooms with great IQ and weathersealing? olympus is probably your system, go buy an E-3 and a 35-100 (2x crop factor guys). in-body IS will work with any lens. as an aside, I've been toying with the idea of buying a Nikkor 80-200/2.8D for my F100 to be used also on the E-3. extremely long reach on the E-3, a good tele zoom on the Nikon, and exceptional build quality all around. If you shoot shows all the time and need high ISO performance, go buy yourself a D3 or D700. really, any recent Nikon is great with low-light performance. ISO102,800 (not a typo) on the D3s. for when you need to shoot at 1/8000 at nighttime (because we all need to do that). I'd say Nikkor glass is second only to Zuiko, and you do pay for it on both systems. I'm not going to even recommend Canon to anyone. that would be mean of me. They haven't got a WA or UWA lens that's as sharp wide open as Pentax's, Nikkors's, or Zuiko's, and Nikkor can match their telephoto offerings and speed for all you sports shooters out there. I can't comment on Pentax or Sony, unfortunately, because I've never used either system for long enough to formulate a valid opinion on them.
I have to end this with another little rant, because there are some other problems besides just the camera system that a lot of people whine about. for example, "wahh I just got to try out pro glass on my camera and it was so cool how am I ever going to afford it/go back to my crappy kit lenses". seriously, shut the fuck up. if you can't make decent images with a basic camera and lens, you shouldn't be taking pictures. end of discussion. a professional-caliber camera and lens system will not help you one damn bit if you don't have the technique or skill in the first place. Get up, grab your camera, go outside, and just shoot some damn pictures.

I had surgery yesterday to get all four of my wisdom teeth out. I have to say that Vicodin is highly overrated. It's hardly helped with my pain, which, to be honest isn't as horrible as I thought it would be. I just really want to start eating real food soon. I'm gonna get sick of eggs and pudding in about....now. I've been absent from this blog for quite some time now and I'm really trying to get into more of a groove with everything. Finally uploading stuff to flickr on a regular basis though, so hopefully that will carry over to this little project I've got going. If I haven't let it out of the bag yet, I'm on twitter @mathewmphoto, and as always, I'll be on flickr. Hoping to do some reviews of apps for the iPhone/iPod Touch and potentially the Droid, so be on the lookout for those in the coming months.

P.S: Kodak Ektar is one of the nicest films I have ever shot.

Nikon F100 + Nikkor 105mm f/2.5 ai-s + Kodak Ektar.

15 October 2009

Some Thoughts

Nikon F100 + Nikkor 50mm f/1.8 + Fuji Velvia RVP50

I love crazy color casts. definitely wasn't expecting it from this roll, even though it was pretty old. kept it in the fridge for so long I figured it'd be fine but I guess these pleasant little surprises are nice every now and then. I was shooting into the sun too, so that probably compounded the issue. Weather's been really weird lately. cold and dewy on this morning, and then two days ago we had driving rain almost all day, then a day of heat, and now its just muggy out there. I thought San Francisco weather was supposed to be predictable.

The F100 is still amazing, thank you very much. Not too many problems, the only big one (and I wouldn't even call it a problem) being that it seems like I get a frame or two less out of a roll than on my N8008s. instead of the 38 I used to get, sometimes I can only get 36. Weird. its performing great though, finally got around to setting everything in the CSM and dialing the camera into what I like. I'll report on battery life once mine die. I'm not using AF lenses or putting too much stress on the motor drive so I'll see how many rolls I get out of this thing. curious how long I can make an exposure last once I get my remote trigger. I get a roll of Velvia back from photoworks tomorrow night so that will be on flickr probably by monday. I did make the mistake of wanting to see a roll from this weekend too badly last night. So I took it to walgreens. definitely a no-no. when I picked it up they had given me prints, something I specifically asked to NOT get. I wasn't in the mood to make it an issue so I just paid the man and left. waste of an extra five bucks.

So, I get back, expecting to have headache-free scanning. yeah, no. Vuescan gave every negative a blue or green cast with way too much grain. This on Reala 100, a film that normally doesn't have grain issues, at least with me. I scoured the interwebs for some help, and eventually just RTFM, which told me to set the base color, lock the exposure, etc. better, but not good enough. so I quit that, opened up epsonscan and what do you know, I can actually get some good scans. Turns out Vuescan is extremely picky about the C41 it likes (a conclusion corroborated by quite a few people on an old dpreview thread). which is a really shame because Vuescan is good, and I mean really good, with slides. Number of problem rolls of slides I've had: two. ever. That's life I guess. I'm gonna keep trying with different film, see if I can nail something down with vuescan. I have a bunch of NPS160 and I really just don't wanna run it all through Epsonscan. call it personal preference, but Epsonscan doesn't seem like a high-quality program. It works, it just seems like it's the Piknik of scanning software.

Also, anybody catch the UFL? I hope they make it through next season, cuz when the NFL locks the players out in 2011 you can bet your ass UFL attendance is going to skyrocket. And I mean, these games aren't that bad at all. I watched Florida and Las Vegas I think, kinda just looked like an NFL game between two "okay" teams. I hate those red ref uniforms though. so. hard. to. tell. and they need to get different team uniforms. the silver, green, black and blue just doesn't work when you have all the teams with those colors. Anyways, go Redwoods. I'll probably be watchin the game on friday night. Hope Cal doesn't choke this weekend......again.....Oregon will win so I'm not too worried.

09 October 2009

Tenba Shootout

As promised long ago, I am finally going to go over this bag. It's the Tenba Shootout Medium, not the daypack, which does not have a laptop compartment.


Hit the jump for more info. Olympus OMG + Zuiko 50mm f/1.8 + Fuji NPH400.

First off, this bag is heavy at around 2 pounds dry. If you are looking for a lightweight bag, look elsewhere. If you want what I feel is the best bag in this size range, keep reading.

There is a ton of padding on this bag, from the shoulder straps to the waist belt and back panel. It's wildly comfortable to carry, even fully loaded. the camera compartment is also well padded and fully modular, like most bags these days. It's stiff when new, like almost everything you buy, but is easy enough to move around to your liking. This compartment can also be pulled out from the bag, giving you a ton of storage space for clothes or what not. I use it for groceries. I can fit a 12 pack of whatever, a few cans of soup on the side, some small boxed foods, and some other random stuff. Those hand carts you get at the store? Think of that capacity plus some. Underneath the back padding there is a small compartment that holds a cover for the shoulder straps. it's simple enough to deal with, just zips right over them to keep the bag streamlined. Good if you're checking the bag through the airport, but not for much else in my opinion.

The side pockets of the main compartment have flaps that fold inward so you can easily access your gear; and extra lens, body, whatever you would like. Good idea? yes, I think so. good execution? no, not in my experience. once you get the backpack fitted correctly to your body, the pockets are so high up that it's almost impossible to unzip them, let alone reach in and grab a lens. What I do is stick my extra body (Nikon N8008s) with an extra lens in one of the compartments, then I zip the strap up in the side pocket's zipper. That way I can just grab the strap and pull the whole body out. The N8008s is a bit bulky though, so I'd really recommend using a smaller body in this manner as there is a size constraint with this whole ordeal. I use the other side pocket with the flap closed. I keep a memory card wallet in there with some microfiber cloths and extra rolls of film if I decide to bring them with me. The other outer pocket, on the front of the bag, is for tripods. Tenba has some system for using it with different sized tripods. I only have one tripod and its pretty small when closed, so I haven't really worried about Tenba's "system"

The laptop "compartment" on the shootout really just piggybacks on the camera compartment. there is a rubberized zipper on the top of the bag that allows you to drop your laptop into the little padded sleeve on the camera compartment. it seems quite padded to me and seems to be able to easily fit a 15" notebook with its own neoprene padded sleeve. depending on the size of your notebook, your mileage will vary. I'd like to come back to the rubberized zippers later though.

The top flap on the bag could have used a little more thought. it's a little tough to get anything bulkier than a Nikon rear lens cap in there. There are two translucent plastic pouches. one I keep gels and small PC cords in, the other has lens adapters, filters, and some other misc. small objects. there is a bottom pouch, but again it's small and you can't fit anything bulky in it. Not even really more than a couple rolls of film. really wish there was some more thought put into that area of the bag. There are elastic bands for pens and such, which is nice.

The camera compartment for this bag is awesome, despite any other shortcomings. It can fit everything. I keep two strobes with small light modifiers in one area. the modifiers are really just to cut down the power of the strobes while softening light just a tad. nothing important. I also throw in a manfrotto super clamp with my wireless triggers in a different compartment. On the camera side, I've got my Nikon F100 on top, my N8008s on the side, both with 28mm, 50mm, or 105mm primes. The Olympus E-500 goes on the bottom of the compartment with the Zuiko 35mm macro, and the 14-45mm rarely makes it out of the house. I toss in an Olympus Stylus Epic when there is space, loaded with neopan 1600 as a last-ditch effort to get a shot. All this, and there's still some room.

Everything has a downside, and there are certainly some to the Shootout. The biggest issue is the zippers. They are all fully rubberized, which is nice since it gets rainy here and I like to be assured my gear is going to be dry. however, the zippers are stiff as hell when new and take a while to break in, especially the one for the main compartment. also, Tenba claims their weather cover is the "fastest-deploying" or some bullshit like that. lies. the zipper to get to the cover is on the bottom of the bag, no biggie. the zipper tab, however, is smaller than on most of my pants and is damn near impossible to unzip. the cover then snaps over the shoulder straps, which can be difficult if you're out of practice. other than that, and the fact the the bag stays stiff for a long time, there's really almost nothing wrong with the shootout.

Note that I have the medium version without the rolling wheels, the large and small are obviously of relative sizes and if you opt for the rolling version there is a price premium. The daypack is, if I recall, the Medium, but instead of Tenba's tripod system, there is a collapsible compartment for food, softgoods, and other miscellaneous items you may need on a hike. I would recommend it if you don't need the use of a laptop compartment or tripod carrier. My shootout came from B&H and retails for about 189. Check eBay, you may be able to find one on there, but I had very little luck with that. For reference, I was also looking at an Ape Case Pro, and the Lowepro Computrekker. I would recommend the Lowepro if you don't want to swing for the Tenba. I should add that this was a present to me from Chloe, the greatest elf of them all.

That was a mouthful. just as an update, I'll have stuff up on flickr next week. it's been busy. 2 rolls of chrome on the way. I am on twitter now as well. you can follow me @mathewmphoto. Anyone else as suprised that Obama won the Nobel Prize as I am? Some thoughts to come. Also, I am debating an F100 review, but we'll see. Ken Rockwell's F100 review is quite in depth and I feel like I am only going to have opinions on the camera to supplement his. That's all for now.

25 August 2009

I need a job



anyone got one for me?

I should have a steady stream of stuff going up on flickr, tryin to get back into the groove. I'll try for 5 a day M-Th since I'm much too lazy on fridays and weekends.

More later.

Olympus Evolt E-500 + Nikkor 105mm f/2.5 + Sunpak 422D

1/8 power, Shoot-through umbrella high & left

18 August 2009

SO I LIED

sorry. it's been a hectic month. Just moved into my new apartment, trying to find a job, scanning about 10 rolls of film, blah blah blah, excuses excuses.


Just thought I'd update with a thought or two on umbrellas.
  1. Asians rock. seriously, where else but Japantown (Ichi Ban Kan if you need to know) could I get a white umbrella for a dollar? nowhere I tell you. except maybe Chinatown, but I don't think white umbrellas really draw in the tourist set.
  2. BEHOLD! Dollar store umbrella of death! Photobucket
  3. so I kinda did a hack job on the handle. my dremel cutting wheels kept shattering so I kinda brute forced it. on the plus side, now my umbrella can double as a lance. the cool thing about this is that it opens automatically. sweetness. you just have to close it carefully and use the snaps on the outside of the umbrella to hold it closed. they'll probably fail at a very inopportune moment. who cares. I don't. why?
  4. Because this is an awesome shoot through umbrella. westcott, move over. I would be willing to bet that this piece of shit transmits light just as good if not better than a lot of the inexpensive shoot-throughs out there while still diffusing pretty well. example? thought you'd never ask.

Photobucket

Olympus E-500 + Zuiko 35mm f/3.5 Macro.
Canon 420EZ high and left shooting through white umbrella, 1/8 power.
Triggered with poverty wizards

In other news, my Tenba Shootout just came today. review and pics up soon. Also, if you've been living under a rock, the Radiopopper JrXs just dropped. I creamed my pants. Flickr will soon be updated with much too much film for my own good.

07 July 2009

I shall return

Blog I have not forgotten you. I've been so swamped with accounting and history its not even funny. I've been shooting like mad though, so all is not lost. Fair just ended, I'll have some shots from that up soon. Just doing some scanning right now then it's off to bed. some of my stuff on ebay is ending tomorrow, I hope it all sells. probably won't. oh well. if anyone must know, there's a nikkor 28mm f/3.5, tamrac 5608 pro 8 bag, and some other assorted treaties. send me a flickrmail and I'll see what I can do for you. as always, flickr.com/photos/mathewm. later, and hopefully an update soon. got some new gear in and on the way, maybe a review or two ahead. more to come this week, promise.


08 June 2009

Second Shot

for the first time. kindof.  Terri needed some help (rippeephoto.com, have a looksie. She's a good friend and I'd definitely recommend her for engagement, wedding, and baby photos if you're in or around San Diego) and i offered my services.  Got there and helped set up, standard stuff.  backdrop for these shots she does at every wedding.  The guests write a message on a piece of paper, hold it up, and pose.  It's really cool and a neat (and easy) way to get a shot of everyone.  


Anyways, the bride was running a little late getting ready so Terri was really busy with her, I just plunked around and shot a bunch of detail stuff.  Nice ceremony and everything, but I really wish I had more to do instead of making sure the backdrop didn't blow over in the wind.  I mean, there were only like 40 people at the wedding anyways so I was pretty extraneous, but I still wish I could have done more.  Oh well, I was only there in an auxiliary sense anyways, and I guess now I've got some stuff I can add to my portfolio. Maybe next time. 

I definitely admire the wedding photographers out there, but that stuff isn't for me I don't think.  Too many batteries, too many CF cards, too much going on, and too much responsibility for those shots.  

I've got a lot of post to still go over, and I'm waiting on a roll of NHG800 to be developed.  Speaking of,  I should really get down to Little Italy and pick up my Ektachrome and Neopan at Chrome.  

I think this is my favorite shot of these little gift boxes on the tables. There's another that's not up on flickr yet that runs in a close second.  I've also got to think about b&w, too.  I've got some decisions I need to make on post and what I could put in a portfolio possibly.  I just really liked this one because I got the tones very neutral and undersaturated and without a strong contrast, which seemed to be the theme with the colors for the wedding.  If you go look at my flickr you can see what I mean.  Baby blues, seafoam green, pinkish orangish flowers, pale blue tablecloths.  I processed this shot very vividly as well, but I think it pops too much and doesn't accurately reflect the subject or the wedding.  So yeah, I finally figured out how to utilize my Vintage Lightroom preset and I've pretty much got it figured out. I was always trying to change color temp when I really needed to look at the primaries because the yellow cast was coming from the reds.  Anyways, more shots on flickr, more to come tomorrow from the wedding, and I'm gonna get my new little project up by Wednesday (Chloe, you will finally wet your pants in relief).  Also, Ektachrome 1600, Neopan 1600, and Fuji NHG800 by mid-week, hopefully scanned and processed.  



Just a reminder, I still have a Canon A2E on eBay, as well as a bunch of other photo-related stuff, so if you're so inclined reference my previous post and you'll see what's there.  probably soon to go on eBay: North Face Recon backpack, Tamrac Pro 8 Camera bag.